Somebody said “Time to move on” to me today and it immediately made me think of one of my favorite songs of all time:
The thing that I love about this song is that whenever I hear it, it conjures up a crystal clear image for me. Right from the opening bars, I see a car traveling along a highway in the very early light of dawn. The highway traverses open fields and farmlands. The car’s passengers are on the way to the airport. This reminds me of being a little kid and leaving very early, sometimes while it was still dark, to get on a plane and travel somewhere far away. Even as a small child I loved those moments in time — the excitement and the adventure of an impending, unknown voyage.
You guys, I despair. I despair at what Madonna has done to her face:
Madonna at the 2014 Grammys
This is not a knock on Madonna in general. Even though she’s not my favorite artist of all time, there’s much to admire about this lady. She was an absolute trendsetter and a ground breaker at the the start of her career. Madonna paved the way for many a female pop star, from Britney to Lady Gaga to Katy Perry. And let’s face it, she is (or, was) better than all of them. Her moves were great, her look was fantastic, and her attitude was fucking awesome. I’m talking way early on – the ‘struggling artist in early ’80s New York’ era, the ‘Like a Virgin’ era…back when Madonna was young, and confident, and snarky, and superior, and all of that was okay because had the goods to back it up. That Madonna excelled at pushing boundaries and being way ahead of the curve, armed only with a cheeky, unapologetic, in-your-face demeanor.
Nowadays, the most in-your-face thing about her is what’s going on with her face. And that’s the thing – this Madonna, who seems so desperate to hold onto her youth (for why else would she be doing this?), does not seem unapologetic at all. It seems like she’s forgotten who she is – a woman who rose to the upper echelons of the music industry on the basis of stringent hard work and an incredible amount of chutzpah (I mean let’s face, it, she doesn’t have the greatest voice of all time). She had that ineffable quality — that ‘It’ factor — to a degree that makes other female artists who have come after her pale in comparison.
My favorite Madonna tracks continue to be the ones from her early career, and particularly from 1986’s True Blue. This record contained not only gems such as ‘Papa Don’t Preach’, ‘Live to Tell’, and ‘La Isla Bonita’, but also what is surely one of pop music’s poppiest songs of all time, ‘True Blue’. This track is the ultimate in bubblegum brilliance, deceptive in its simplicity (much like the Archies 1969 hit ‘Sugar Sugar’). And I absolutely adore the video – pure, campy fun (and featuring Debi Mazar!) Enjoy:
If you haven’t already seen the movie Pitch Perfect, I have only one question for you: WHYYYYYYYYYYY???
Are you so cool that you can’t take two hours out of your life to watch this adorably awesome film about dueling college acapella groups? You are, aren’t you? I bet you’re the kind of person who spends their Friday nights sipping fancy cocktails at parties thrown in swanky art galleries rather than dancing around your living room singing along to Ace of Base’s ‘The Sign’, aren’t you?
If so, well…okay, good for you, I guess. I cannot deny that that art and fancy cocktails do have their appeal. But so does this movie! First of all, Skylar Astin is super duper as Jesse, the “nice guy” love interest to Anna Kendrick’s character, Beca. And then there’s Rebel Wilson’s ‘Fat Amy’:
My favourite though is Benji, Jesse’s incredibly awkward roommate:
Sob! Poor Benji! Fortunately, Benji gets his moment of redemption during the Treblemakers final performance:
They are performing their take on B.o.B.’s song ‘Magic’:
Which version do you prefer? B.o.B. and Rivers, or the Treblemakers? Me, I like them both. But I think the Trebles win for of the feel-good factor!
Let Them Eat Vinyl 