Tag Archives: nostalgia

If You Wanna Make the World a Better Place…

man in the mirror

In 1992, Michael Jackson embarked on his Dangerous world tour, which ended up being his second-to-last tour ever and attracted 3.5 million fans over the course of its two years. At the time, I wasn’t a huge MJ fan. I had loved him as a kid, but by the time I was seventeen I considered myself “too cool” to be into his music. Somehow, though, my best friend’s parents got free tickets to the show in Singapore (where we were living at the time) and she invited me to go with her. Our seats were CRAZY good — like, unbelievable. Second row, centre. Yeah, I know. Apparently MJ had a special deal in place that the first 10 rows or something like that were reserved for fans under the age of 18. Anyway, the show was AMAZING — the best I’ve ever seen. It completely blew me away. I had forgotten how many great songs were in his repertoire, but it was more than that. It was a completely flawless performance, and I say that with honestly no exaggeration. It was note-perfect down to the very last detail — Jackson’s singing, his dancing, the choreography, the lighting…everything. You could tell that he must have put an unbelievable amount of time into rehearsing, but it all came off looking smooth, effortless…perfect without being rote or robotic.

I came away from the show shaking my head in awe at the sheer amount of talent that the guy possessed, and I never forgot his performance. I feel lucky to have seen an artist of such stature at the peak of his career. As we now know, the years following that tour were not kind to Michael Jackson. Allegations of child molestation led to a highly-publicized trial that took on the feel of a circus freak show. MJ’s final years were marked by increasingly erratic behavior and a dependence on prescription drugs, surrounded by a coterie of sycophants and enablers. His death in 2009, at age 51, provoked an outpouring of grief in the media as people remembered the “good” side of him — innovative creative genius, magnificent performer, humanitarian.

Jackson’s lasting legacy is a top-notch body of work. But when you think about everything he accomplished its hard not to view it all within the context of the high price he paid for success. Any semblance of a normal childhood was sacrificed in the pursuit of perfection. Driven by an overbearing stage father, his grueling life as a child star paved the road for personal unhappiness in his adult life. On the other hand, watching him perform up-close, the absolute joy he felt being onstage doing something he loved was obvious…so there’s that.

I’m not really saying anything here that hasn’t been said before, but I’ve been thinking about MJ recently because I’ve been listening to this song a lot. I love this song. I think it’s his best — at least, it’s my favorite. I’ve been thinking a lot about change, too. So often in life, change is thrust upon us. After all, the only thing that ever stays the same is the fact nothing ever stays the same, right? Oh, the irony. But sometimes the type of change that is necessary has to come from within, and that’s the most difficult. Have you ever looked at your life and realized that something needs to be different, but you’re not sure exactly what, and you don’t know how to make it happen? What do you do?

I wish I had the answers. I think MJ was on the right track here though. I guess, in the end, if you want to make a change there is only one place to look: in the mirror. If you like what you see, you’re lucky. If not…well, at least you know where to start.


Please Don’t Put Your Life In the Hands Of a Rock ‘n Roll Band

BOOK REVIEW FOR: Oasis: The Truth: My Life As Oasis’s Drummer

Author: Tony McCarroll

tony mccarroll

What’s the Story, Morning Glory: from the mean streets of Manchester to the heights of Supersonic success

Who Are You: original drummer setting the record straight

Let’s Give Them Something to Talk About: sibling rivalry, the agony & the ecstasy, the real Noel

Do Ya Think I’m Sexy: LG, I think I love you

Paperback Writer: a genuinely funny author with a knack for spinning a tale

Add It Up: a Spartan of a book

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Blue Peter & Chalk Circle: New Romantics and The Oshawa Tree

Saturday, October 1st — Phoenix Concert Theatre, Toronto

Tonight in the city there are no neighborhoods, only letters — A, B and C. Nuit Blanche has begun and the streets are coming alive with people ready to interact with art and each other. You have to decide which letter will begin your experience. For me, it’s B for Blue Peter and C for Chalk Circle. These names sound like Pop Art and minimalist paintings — I am obviously getting into the feel of Nuit Blanche.

I arrive at the Phoenix Concert Theatre halfway through Blue Peter’s set. On stage Paul Humphrey is sharply dressed. He looks like he could be on the set of Twin Peaks. His delivery is a collage of David Byrne, Ian Curtis and Bryan Ferry — so much coming at you at once, he is a compelling front man. I get to hear my favorites, ‘Radio Silence’ and ‘Don’t Walk Past’. These songs seamlessly fuse the condensed drone and angles of post punk with the smooth crooning of the New Romantic period. “Don’t walk on past”– you just wanted to whisper it to that girl in the hall, but it seemed so hard. A great, earnest, self-conscious love song. Check the video – it won Best Video of 1983 from the Canadian Film and Television Association.

Chalk Circle takes the stage and I overhear a group of people discussing how pleasantly surprised they are by the turnout. I am too. Chalk Circle recorded one EP and 2 albums during the 80’s. Their biggest selling record, The Mending Wall, was recorded at Quest Studios in Oshawa, Ontario and dubbed ‘The Oshawa Tree’. Is Chalk Circle Canada’s U2? Maybe, but only if you insist on viewing all things as derivative of others. If creating earnest, thoughtful and politically conscious rock & roll makes them Canada’s U2 then sure, it’s a fair comparison. But it always pissed me off when people would say that about Chalk Circle. It is so rare when an artist is able to create a new color in the spectrum — when it happens it is monumental and everyone is affected. I would argue (and I wouldn’t be alone) that The Edge created a new color with his guitar sound with U2. And yeah, Chalk Circle were inspired by that, along with millions of other people — but to dismiss their music as “U2-lite” does them a disservice. These are some great songs. Whew…looks like this show is stirring up lots of thoughts and emotions for me. OK, I’m done for now. But I will never stop taking the piss out of music snobs — no room for them.

I’m feeling fired up. Chris Tait is sneering away and Brad Hopkins’ bass is punching, pushing, and pulling me around. It’s nice to hear the bass way up front. As I’m getting my groove on I’m beginning to feel the political weight of the 80’s. It starts with ‘This Mourning’ with Tait spitting out the lyrics: “It’s 11 o’clock and they talk of him / About the eve of destruction / And a new ray gun / For my defense / A mended fence”. I’m taken down memory lane right back to “Ray-Gun Reagan”, Star Wars weapons in space, and the arms race. Later, they play the pretty guitar song ‘N.I.M.B.Y.’ — a term that was new to me in high school. Now that I am a land owner ‘N.I.M.B.Y.’ tests me, revealing things I didn’t know about myself and my ideologies. Wow, I am tripping now — loud music and politics filling my head. Then comes the hammer fall of ‘Sons and Daughters’ a seething indictment of Free trade: “They see gold in your trees and gold in your people / They’ll be panning for it in your water”. I begin to remember the uncertainty and anxiety during the 80’s about how Free Trade would change Canada. It felt like our sovereignty and economic future was up for grabs and the Americans were getting too good of a deal.

I leave the concert with a warm feeling and a head full of politics, and I like it. Election signs are all over the place, on people’s lawns and on store fronts. Election week is upon us, and this is the perfect time to think about what kind of politics we want for Ontario.


You Make Me Laugh, Give Me Your Autograph

oasis

I’m currently reading a book called “Oasis: The Truth” by the band’s first drummer, Tony McCarroll (to be reviewed shortly), and it’s putting me in a ‘90s frame of mind. I remember so clearly when ‘Definitely Maybe’ came out…it was the fall of 2004 and I had just started university. As I was a mere 17 years of age, I had to resort to using my roommate’s ID to get into bars. This would have worked perfectly (we actually bore a passable resemblance to one another) except for the fact that my roomie and I became instant BFFs, so we rarely went to bars separately. Not surprisingly, trying to get past the bouncer with an ID bearing the same name as the person who has just gone before you is rarely an effective tactic.

Fortunately, the floor we lived on in residence quickly gained notoriety as one that excelled in booze-fuelled shenanigans and drunken revelry and we threw some pretty kickass parties at home, which saved me from having to go through the whole ID rigamarole too often. Even though we were an all-girls floor, we definitely raged as hard (or harder) than some of the male-only residences. I remember the first time I heard this song because my friend Michelle always made amazing mixes and she put it onto the mixed tape for our first party of the year. Ever since then, this tune has reminded me of the excitement I felt being away from home, meeting new people, and feeling the freedom to be myself (“I can’t be no one else”). It also reminds me of standing in a dingy residence hallway drinking disgusting alcoholic concoctions (Purple Jesus, Blue Lagoon, etc) out of plastic cups. By ’94-’95, grunge fashion was slightly on the wane and we were all wearing miniskirts or little dresses with those awful thigh-high tights. In retrospect we looked like idiots but at the time I just remember it being such a period of optimism and new adventure, living in an unfamiliar city, staying out ‘til the early morning hours drinking coffee with boys in all-night diners, sleeping through morning classes, rolling into the dining hall at noon with a raging hangover — and loving every single minute of it. I still get a little thrill of excitement when I hear the opening bars of this song, and I miss those carefree days of being a student (let me clarify: I don’t miss the homework, but I do sometimes long for the days of total lack of responsibility).

Tomorrow is my birthday, and I will be over twice the age I was when I first heard this song. Yes, it’s been eighteen years since I stood in that hallway downing jello shots, blissing out on mid-’90s Britpop (Oasis, Blur, Pulp, Supergrass, Elastica, etc) and dancing all night. Unlike the bands we were listening to, we weren’t under the influence of any illicit substances (other than some underage alcohol consumption of course) but we didn’t need to to be. The music and the joyful folly of youth were enough of a trip on their own.

So my Song of the Day today is a ’90s classic, ‘Supersonic’ by Oasis. Happy Birthday to me!


It’s So Easy To Fall In Love With This Excellent Buddy Holly Tribute Album

buddy holly

ALBUM REVIEW FOR: Listen To Me: Buddy Holly

I love Buddy Holly. When I was a little kid, my dad used to play his songs for me on the guitar, especially ‘Everyday’ and ‘Peggy Sue’. They were such amazing tunes — seemingly simple, yet so catchy — and they always made me happy. The fact that they could be equally enjoyed by a 5 year old (me) and a dude in his 30s (my dad) speaks volumes, I think. As an adult, whenever I’m feeling a little blue I always return to those songs that made me feel such joy when I was young. And Buddy Holly really did write joyful songs. You can hear the enthusiasm and optimism in all of his tunes. Even the ones about heartbreak are strangely (and pleasingly) cheerful, as if he’s saying “well, that’s the way life goes! You win some, you lose some”. I guess what I’m trying to get at is that for someone who was only 22 (!!) when he died, his songs, though straightforward, resonate with an emotional and lyrical maturity that is fairly extraordinary.

So you can imagine my excitement when I was given the opportunity to review Listen To Me: Buddy Holly, a new tribute compilation featuring iconic artists such as Stevie Nicks, Brian Wilson, Ringo Starr, and Linda Ronstadt. There’s also newer artists included too, from Pat Monahan to Zooey Deschanel to The Fray and Cobra Starship.

Without further ado, here are my thoughts on the 16 tracks:

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Oh Baby Please Give A Little Respect to the ’80s

a little respect

I’ve been thinking about the ‘80s a lot lately. I mean, I always think about the ‘80s, because I am obsessed with them. But I’ve been thinking about them even more than usual, because I’ve been reflecting on my childhood and realizing that I had it pretty good as a kid.

I know people argue that nostalgia is a lens that makes the past look better than it actually was, and they’re not wrong — but you guys, growing up in the ‘80s was pretty awesome. I mean, I was too young to be worried about the economy, or Reaganomics, or doing too much coke. No, for me the ‘80s were all about ALF, John Hughes movies, sitcoms starring Michael J. Fox and Jason Bateman, and sleepovers where we listened to Debbie Gibson and experimented with blue eyeshadow (bad) and crimping our hair (worse). When people think about the ‘80s now it’s reduced to stereotypes — everyone was running around in acid-wash jeans and neon socks with new-wave hairdos. This is sort of true. I remember owning a lot of day-glo clothing and loving it. I also had an acid-wash jean skirt (ruffled no less!) that was my pride and joy. But the ‘80s were a lot more nuanced than we give them credit for, and there was some pretty rad stuff going on. I read a great book recently, Ready Player One by Ernest Cline. It’s set in 2044 and the world is looking pretty grim. A series of climate crises have ravaged the earth and the general population is living in crippling poverty. Most people spend almost all of their time plugged into a system called OASIS (like the Matrix, but people are actually aware that it isn’t reality) that was designed by an eccentric billionaire obsessed with the ‘80s of his childhood. When he dies without an heir, he leaves a series of clues to his vast fortune hidden within the OASIS, and each clue requires those seeking his treasure to be well-versed in ‘80s pop culture. I won’t say too much, but check it out if you get a chance & are so inclined — I couldn’t put it down.

Anyway! As much as I loved the ‘80s of my childhood, I can’t help but be a bit jealous of the Finn — I was a mere youngster during that decade (I turned 14 in 1990) but the Finn was an actual TEENAGER in the ‘80s! When I look back through hid photo albums it’s all there — prom pictures featuring girls in pink and blue pastel puffy-sleeved dresses, the guys decked out in white ruffled tuxes. The hair is simply amazing — new wave, mullets, hair-sprayed bangs for the girls, and even one adventurous friend with a mohawk. Everyone just looks like they’re having so much fun — and yes, I know, nostalgia is a lens — but I’ve asked the Finn, and he tells me that they were having fun, that high school in the ‘80s was awesome. Those halcyon days before the advent of grunge and the inherent angst and apathy of the ‘90s. Don’t get me wrong, I love the ‘90s too, they were the decade that saw me through my teenage years and young adulthood. But the ‘90s bounced from one extreme to another, from the too-cool-for-school pessimism of grunge (everyone’s a sellout! damn the man!) to the soulless cheese of Spice Girls and Backstreet Boys-era pop. And don’t even get me started on the age of irony and contrarian hipsters that the new millennium has spawned.

the finn

The Finn as a teen. You know why he's so happy? Because the '80s rule.

Anyway, my favorite stories of the Finn’s are the ones about his high school dances, where everyone in his group of friends would pile onto the dance floor as a collective group and sing along with the words to Roxette’s ‘The Look’ or Gowan’s ‘Moonlight Desires’. Apparently everyone knew the moves for Men Without Hats ‘Safety Dance,’ and when to do the hand claps during Kim Carnes’ ‘Bette Davis Eyes’. How awesome is that? I picture it as a utopia of synth riffs, dance beats, and unbridled enthusiasm. And yeah, maybe I am idealizing the past. But I’ll tell you this: if anyone ever gets around to inventing a time machine, I’m setting the dial back to 1985 and hightailing it to the nearest high school prom. Maybe I’ll see you there. I’ll be the one in the white suit, pink shirt, skinny tie and day-glo socks.

In honor of the ‘80s, my Song of the Day is one of my faves from that era, Erasure’s ‘A Little Respect’. See ya on the dance floor!


Pearl Jam Rocks the ACC on Ten’s 20th Anniversary Tour

pearl jam

Plaid shirt? Check.

Hate on for Ticketmaster? Check.

Yup, ready to see Pearl Jam.

It’s been 20 years since Ten was released and I was feeling a bit nostalgic, but I didn’t want the show to be a nostalgia trip. I just wanted to Rock Out in the here and now.

It was hard, though, not going back to the 90’s — angst, aggression and apathy. The whole concert for me was a mix of feeling very connected to that 90’s stuff (I am a Gen X’er) and very removed from it (I’m 43). It was easy feeling the rage in ‘Jeremy’ and ‘Corduroy,’ screaming along with everyone else. Damn it feels good to scream amongst thousands. And then they played ‘State of Love and Trust,’ which used to take me instantly to a violent and angry place, but I was now somehow removed from Vedder’s screaming and pleading and had difficulty connecting with his energy. Like I said I’m 43 — I only have so much angst and aggression…or maybe that just says a lot about me because the band had no lack of it. They were near the start of their tour in Toronto and they were fired up — Eddie was always close to his bottles of red wine.

Stone Gossard’s family was in the house and during an extended ‘Even Flow’ jam Gossard filled his solo with reckless aggression and emotion. It felt like he was pushing the guitar further than it could go — but it still went there. I kept thinking that if his guitar just split apart after the solo I wouldn’t be surprised, maybe even a little relieved. It was a great ride and the crowd responded with amped-up enthusiasm.

Eddie dedicated ‘Wishlist’ to Doug Gilmour and I thought to myself “nice one Dougie”. I smiled as I thought of Dougie rocking out to Pearl Jam and how fucking amazing he was in the ‘93 playoffs and how good it felt to believe in the Leafs.

Eddie talked about how NYC stood for Neil Young Country and the crowd went nuts — like I said, it’s so good to scream with thousands of people — especially in praise of Neil.

And that was the night for me: sometimes screaming, sometimes feeling far away from the 90’s and the way I felt then, and sometimes thinking about hockey. I will give the concert a 7, and the band a Ten.


Song(s) of the Day: a couple of classics from a man who knows his music

roy orbison

patsy cline

I hope that everyone had a good holiday weekend! The Finn and I were out of the city, at his dad’s cottage in Haliburton. It’s a beautiful spot. On Sunday night we sat around listening to old 45s and drinking shots of Grand Marnier, which is actually really good, you guys. I totally thought it’d be super strong and difficult to drink, but it turns out that it’s quite delightful. Or maybe I’m just an alcoholic! No matter. Anyway, as you may recall, a few weeks ago The Finn’s dad called me out for not including any Patsy Cline songs on my list of top breakup tunes. So this weekend I guess he decided it was high time that we ignorant youth received some schooling in some of the classics of his generation.

A little background information about the Finn’s dad — we’ll call him Finn Sr. If you are at all familiar with the Finnish as a people, you will know that even though they often have hilarious, subversive senses of humor, they generally appear fairly stone-faced. If you are not aware of this, hanging out with them can be a little intimidating. Before I met Finn Sr. for the first time, the Finn and his friends tried to prepare me. “It may seem like he doesn’t like you,” they said, “but don’t worry. He just doesn’t smile that often”. I definitely spent the first few years of my relationship with the Finn worried that Finn Sr. thought I was a complete fool, since he’s pretty no-nonsense, and anyone who has met me knows that my genetic makeup is about 80% nonsense. Anyway, over the years I have gradually gotten to know Finn Sr. better and have come to appreciate the depth of his humor and character. He is a very cool dude. This past weekend he was telling me about the Finnish word sisu. There’s no real English equivalent, but basically it means “strength of will, determination, perseverance, and acting rationally in the face of adversity”. It’s a quality that Finns are very proud of. If you want to know more, you can read about it here. (The one example of the Finnish heavy metal singer injuring himself without noticing makes me laugh because it reminds me of the time that the Finn and his brother went out on a winter walk with Finn Sr. When they returned home after an hour and a half of tramping through the woods, Finn Sr. removed his boots and one of his feet was bleeding profusely. He had stepped on a large nail that had embedded itself in his boot and the sole of his foot. “Oh my god, Dad!” the Finn and his brother exclaimed. “Why didn’t you make us stop so you could get the nail out of your foot??” Finn Sr.’s reply: “I didn’t want to cut short our walk”. That’s stoicism, people).

Anyway, as I was saying, we listened to a lot of music on Sunday night (including some rather spirited Russian folk music) but the two records I enjoyed the most were Patsy Cline and Roy Orbison. I’ve always liked Orbison — Finn Sr. and I agree that he has the best voice of all time — but I’ve had only a casual acquaintance with Patsy Cline’s music. Well, let me tell you, Finn Sr. is right — no one does ‘hurtin’ music’ better than Patsy. Seriously, the emotion in her voice is incredible, and I love it how pretty much every song is about a man who’s done her wrong but she still loves him anyway. Even the song below, ‘Walkin’ After Midnight,” though relatively upbeat (for Patsy), is still about a woman out in the middle of the night searching for her (presumably misbehaving) husband/lover.

So please enjoy ‘Walkin’ After Midnight,” along with Roy Orbison’s cover of ‘Love Hurts’ (so, so good. GAH! That voice!!)

You know, life can be tough, kids. But with a little Patsy for the pain, a little Roy for the soul — and lot of sisu — we just might make it through.


Let the Good Times Roll: The Cars Reunion Show

move like this

In the days leading up to seeing The Cars I had that same excited feeling I had before seeing The Police. I’ve loved both of these bands since I was first able to buy their 45’s with my allowance money. Now I had the money and means (my bike) to see The Cars play on Friday, May 20th at the Sound Academy in Toronto. I chanced it and did not buy a ticket. It was a Friday night on the first long weekend of the summer — of course I’m going for scalpers. After some haggling I got a $76 ticket for $35, not bad. It was an early start, 8pm — that’s the way I like it nowadays. You have choices after the show — go out or go to sleep.

I love going to reunion gigs. You get a chance to mingle with your contemporaries and relive all the great moments that the band has given you over the years. The first challenge was finding a good spot. I settled in about halfway back from the front near the bar, and there he was: Mr. Rick Ocasek — standing like a statue delivering his beat poet prose. To his left, Greg Hawkes ripping synth riffs that laid the blueprint for New Wave and cut into you, making you question “do we even need guitars?” After a somewhat sluggish version of “My Best Friend’s Girl,” Ocasek dedicated the next song, “Touch and Go,” to Benjamin Orr with Greg Hawkes playing bass. The audience responded with warm applause. I got the feeling we were all thinking about how much Orr is missed, recognizing the loss and pulling for them to play his songs (“Just what I Needed”, “Let’s Go”, “Candy-O”, “Drive”…)

The highlights included “Touch and Go” — going from lonely despair to a clickety clack country ride, “Let’s Go” — with the audience screaming “I like the night life baby,” the condensed pounding of “You’re All I’ve Got Tonight,” and the trippy, uneasy “Moving in Stereo” (yes, I did think of the scene in Fast Times Ridgemont High). “Sad Song” and “Free” from the new album Move Like This reminded me that they can still craft smooth ballads and angular, bouncy pop songs with equal aplomb.

Was I blown way? No. Did I have smile on my face all night? Yes…and I bought the T-shirt.


LTEV Photo Shoot: Star Wars

As a companion piece to our Spotlight on Style: Star Wars feature, Donkeysuit and I attempt to re-create an image from the movie.

THE INSPIRATION:

holochess

Holochess on the Millennium Falcon


THE RE-CREATION:

holochess, LTRV-style

Spencer as C3P0, Donkeysuit as Chewie

holochess pieces